For Your Consideration ... "Companion Pieces"
During my time as composer in residence for the New Hampshire Master Chorale, I always tried to maximize use of the ensemble’s resources, including writing for accompanying ensembles that were already going to be present for other works on the program. I always think of these as “companion pieces,” and I hope you’ll consider them if you’re thinking of programming the other works that use the same forces. Three that come to mind are:
- My setting of Jame’s Thurber’s Fable for our Time “The Unicorn in the Garden,” which was programmed with Menotti’s The Unicorn, the Gorgon, and the Manticore
- My work Solstices, which was programmed with the Concert Selections version of Bernstein’s Mass
- My settings of some poems from Herman Melville’s Civil War collection Battle-Pieces, which were programmed with Lee Hoiby’s Last Letter Home